Alonso De Leon (°1990, Guadalajara, Mexico) creates performances, performances and mixed media artworks. By creating situations and breaking the passivity of the spectator, De Leon wants the viewer to become part of the art as a kind of added component. Art is entertainment: to be able to touch the work, as well as to interact with the work is important.
His performances are based on inspiring situations: visions that reflect a sensation of indisputability and serene contemplation, combined with subtle details of odd or eccentric, humoristic elements. By rejecting an objective truth and global cultural narratives, he tries to focus on the activity of presenting. The character, shape or content of the presented artwork is secondary. The essential things are the momentary and the intention of presenting.
His works are on the one hand touchingly beautiful, on the other hand painfully attractive. Again and again, the artist leaves us orphaned with a mix of conflicting feelings and thoughts. By examining the ambiguity and origination via retakes and variations, he often creates several practically identical works, upon which thoughts that have apparently just been developed are manifested: notes are made and then crossed out again, ‘mistakes’ are repeated.
His works focus on the inability of communication which is used to visualise reality, the attempt of dialogue, the dissonance between form and content and the dysfunctions of language. In short, the lack of clear references are key elements in the work. By replaying the work for each exhibition and pushing the evocative power of the work a little further, he creates with daily, recognizable elements, an unprecedented situation in which the viewer is confronted with the conditioning of his own perception and has to reconsider his biased position.
His works are presented with the aim not to provide an idealistic view but to identify where light and the environment are important. The energy of a place and its emotional and spiritual vibrations are always important. By taking daily life as subject matter while commenting on the everyday aesthetic of middle class values, he tries to grasp language. Transformed into art, language becomes an ornament. At that moment, lots of ambiguities and indistinctnesses, which are inherent to the phenomenon, come to the surface.
His works never shows the complete structure. This results in the fact that the artist can easily imagine an own interpretation without being hindered by the historical reality. By investigating language on a meta-level, he tries to increase the dynamic between audience and author by objectifying emotions and investigating the duality that develops through different interpretations.
His works are characterised by the use of everyday objects in an atmosphere of middleclass mentality in which recognition plays an important role. By manipulating the viewer to create confusion, he often creates work using creative game tactics, but these are never permissive. Play is a serious matter: during the game, different rules apply than in everyday life and even everyday objects undergo transubstantiation.
His work urge us to renegotiate performance as being part of a reactive or – at times – autistic medium, commenting on oppressing themes in our contemporary society.
Acevedo Hülsbusch Juana Joceline
Bidari Basavaraj Shrishail Bidari
Bonton Bonton Bontongone Nelly
Brittish(jesreal Confidence Shedrack) Jesreal
Dark'ness Dementia Raven Tara Way Ebony
De Torres Y Sandoval Ramón Argila
González Rojas Adriana Marcela
Hernández Hernández Alejandro José
Himmelsbach De Vries Domenique
International Resource Center For Art Cairo
Junior Dope Lord Illuminati Lives
Manuj Protim Saikia Manuj Protim Saikia
Patagonia Jakarta Moonflower Nine Eleven Superscript One Cecelia
Patil (inspirational Speaker) Rakxit
Patricia Smyka Fathermoonandme
Payanene Velasquez Junior Haminton
Plasencia Magdaleno Juan Moisés
Plasencia Magdaleno Juan Moisés
Plasencia Magdaleno Juan Moisés
Plasencia Magdaleno Juan Moisés
Plasencia Magdaleno Juan Moisés
Rodríguez Briseño Gustavo Daniel
Türkiye Lgbtİ Birliği Lezbiyen, Gey, Biseksüel, Trans, İnterseks, Eşcinsel
Vanto Dumisani Vanto Dumfiasco
Vishva Naedurana Pathirannehelage
His Works Are Saturated With Obviousness, Mental Inertia, Clichés And Bad Jokes. They Question The Coerciveness That Is Derived From The More Profound Meaning And The Superficial Aesthetic Appearance Of An Image. By Parodying Mass Media By Exaggerating Certain Formal Aspects Inherent To Our Contemporary Society, He Tries To Create Works In Which The Actual Event Still Has To Take Place Or Just Has Ended: Moments Evocative Of Atmosphere And Suspense That Are Not Part Of A Narrative Thread. The Drama Unfolds Elsewhere While The Build-up Of Tension Is Frozen To Become The Memory Of An Event That Will Never Take Place.
His Works Are Given Improper Functions: Significations Are Inversed And Form And Content Merge. Shapes Are Dissociated From Their Original Meaning, By Which The System In Which They Normally Function Is Exposed. Initially Unambiguous Meanings Are Shattered And Disseminate Endlessly. Goobs Wooster Currently Lives And Works In Solvang.
## %# Rosado Mike