Tony Quinones (°1971, San Francisco, United States) is an artist who works in a variety of media. By focusing on techniques and materials, Quinones tries to increase the dynamic between audience and author by objectifying emotions and investigating the duality that develops through different interpretations.
His artworks never shows the complete structure. This results in the fact that the artist can easily imagine an own interpretation without being hindered by the historical reality. By examining the ambiguity and origination via retakes and variations, he considers making art a craft which is executed using clear formal rules and which should always refer to social reality.
His works are an investigation of concepts such as authenticity and objectivity by using an encyclopaedic approach and quasi-scientific precision and by referencing documentaries, ‘fact-fiction’ and popular scientific equivalents. By applying a wide variety of contemporary strategies, he plays with the idea of the mortality of an artwork confronted with the power of a transitory appearance, which is, by being restricted in time, much more intense.
His works are made through strict rules which can be perceived as liberating constraints. Romantic values such as ‘inspiration’, ‘genius’ and ‘authenticity’ are thereby neutralised and put into perspective. By using an ever-growing archive of found documents to create autonomous artworks, he reflects on the closely related subjects of archive and memory. This often results in an examination of both the human need for ‘conclusive’ stories and the question whether anecdotes ‘fictionalise’ history.
His works are notable for their perfect finish and tactile nature. This is of great importance and bears witness to great craftsmanship. Tony Quinones currently lives and works in Chico.
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