Timothy Smith (°1999, Waco, United States) makes paintings and drawings. By focusing on techniques and materials, Smith touches various overlapping themes and strategies. Several reoccurring subject matter can be recognised, such as the relation with popular culture and media, working with repetition, provocation and the investigation of the process of expectations.
His paintings are often classified as part of the new romantic movement because of the desire for the local in the unfolding globalized world. However, this reference is not intentional, as this kind of art is part of the collective memory. By referencing romanticism, grand-guignolesque black humour and symbolism, he absorbs the tradition of remembrance art into daily practice. This personal follow-up and revival of a past tradition is important as an act of meditation.
His collected, altered and own works are being confronted as aesthetically resilient, thematically interrelated material for memory and projection. The possible seems true and the truth exists, but it has many faces, as Hanna Arendt cites from Franz Kafka. By using popular themes such as sexuality, family structure and violence, he creates work through labour-intensive processes which can be seen explicitly as a personal exorcism ritual. They are inspired by a nineteenth-century tradition of works, in which an ideal of ‘Fulfilled Absence’ was seen as the pinnacle.
His works are notable for their perfect finish and tactile nature. This is of great importance and bears witness to great craftsmanship. By contesting the division between the realm of memory and the realm of experience, he considers making art a craft which is executed using clear formal rules and which should always refer to social reality.
His works often refers to pop and mass culture. Using written and drawn symbols, a world where light-heartedness rules and where rules are undermined is created. Timothy Smith currently lives and works in Lake Air Montessori Magnet.
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