Albert Speer (°1905, Mannheim, Germany) makes installations and conceptual artworks. By exploring the concept of landscape in a nostalgic way, Speer considers making art a craft which is executed using clear formal rules and which should always refer to social reality.
His installations establish a link between the landscape’s reality and that imagined by its conceiver. These works focus on concrete questions that determine our existence. By focusing on techniques and materials, he investigates the dynamics of landscape, including the manipulation of its effects and the limits of spectacle based on our assumptions of what landscape means to us. Rather than presenting a factual reality, an illusion is fabricated to conjure the realms of our imagination.
His works are notable for their perfect finish and tactile nature. This is of great importance and bears witness to great craftsmanship. By emphasising aesthetics, he focuses on the idea of ‘public space’ and more specifically on spaces where anyone can do anything at any given moment: the non-private space, the non-privately owned space, space that is economically uninteresting.
His works are often about contact with architecture and basic living elements. Energy (heat, light, water), space and landscape are examined in less obvious ways and sometimes developed in absurd ways. In a search for new methods to ‘read the city’, he seduces the viewer into a world of ongoing equilibrium and the interval that articulates the stream of daily events. Moments are depicted that only exist to punctuate the human drama in order to clarify our existence and to find poetic meaning in everyday life.
His works sometimes radiate a cold and latent violence. At times, disconcerting beauty emerges. The inherent visual seductiveness, along with the conciseness of the exhibitions, further complicates the reception of their manifold layers of meaning. Albert Speer currently lives and works in Berlin.
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